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VELOCITY CULTURE
The exhibitions and productions at the top of Europe's cultural agenda.
EYES, LIES AND ILLUSIONS
Until 2 January 2005
Hayward Gallery, London
It could be said that the Ancient
Greeks invented the optical illusion, designing the massive pillars on their
buildings with a slight bulge in the middle so they looked straight from a distance
(this technique has also been used on Nelson's Column in London – just
look carefully). From exquisite 19th-century picture puzzles to works by modern
artists such as Christian Boltanski and Marcel Duchamp, this collection has been
divided into six themes: Shadowplay, Tricks of the Light, Perspective, Enhancing
the Eye, Deceiving the Mind and Moving in Time. You will find yourself haunted
by shadowy angels and devils, distorted in mirror rooms and amazed at the ingenious
ways illusion was created centuries before the advent of film. A wonderfully
confusing experience. www.hayward.org.uk Tel. +44 (0)8703 800 400
HIDDEN:
THE SECRET OF LOWRY'S ART
Lawrence Lowry's paintings are some of the most desolate and barren
landscapes you will ever see, yet he endures because of his ability to extract
a strange beauty and dignity from the industrial scenes of Manchester that were
so often his subject. He was always an enigma though, and since his death all
we have are his paintings. Or do we? The Secret of Lowry's Art uses x-rays
to find the hidden layers in his work. The technique is often used to clean and
restore paintings, but here it is being used for the benefit of the viewer. The
works are hung so that you can view them from both sides, and see which paintings
he chose not to finish. This is a fascinating insight into the working process
of one of the most enigmatic artists of recent years. www.thelowry.com Tel. +44
(0)870 787 5780
TURNER PRIZE EXHIBITION
Until 23 December Tate Britain, London
Whatever you think of the artworks usually shortlisted for the Turner Prize,
their ability to engage people in debate and encourage them to question their
perception of art is undeniable. This year's four shortlisted artists are
Turkish-born video installation artist Kutlug Ataman, mixed-media artist Jeremy
Deller, London-based multimedia duo Langlands & Bell and sculptor Yinka Shonibare.
Sponsor Gordon's has doubled the prize money this year to £40,000
(€58,000), increasing the financial incentive to win what is already one
of the most prestigious art awards in Europe. Conceived in 1984, the award goes
to the best British visual artist under 50, and has never failed to cause controversy.
The best example was in 1993, when Rachel Whiteread won the £20,000 (€29,000)
prize for House, a concrete cast of the inside of a house, standing where the
original once stood. Mere hours later, she was awarded £40,000 by the K
Foundation (former chart-topping band The KLF) for the “worst artist in
Britain”, an act that was considered to be of equal artistic merit to the
work that was shortlisted. Controversy or not, this is the polestar of British
modern art, so it's well worth investigation. www.tate.org.uk Tel. +44
(0)20 7887 8000
DA DA DALÍ
Until 16 January 2005
Kunsthal, Rotterdam
There are no swans turning into elephants or melting clocks in this exhibition,
but it is nonetheless fascinatingly strange. On the centenary of the surrealist's
birth, Rotterdam's Kunsthal is giving an insight into eight days of Dalí's
life. Journalist Walther Hermann Schünermann and photographer Werner Bokelberg
were invited to Dalí's residence in Port Lligat in Spain to do a
photo shoot for German magazine Stern, under the condition that they bring a
beautiful blonde with them. Danish beauty Lotte Tarp was the exotic guest and
the eight-day photo shoot began. It featured the artist himself, his wife Gala
Eluard, Lotte, and Dalí's tame ocelot. The photos were later cut
into collages by Dalí, and are now on display in all their surreal splendour.
www.kunsthal.nl Tel. +31 (0)10 44 00 300
ANTWERPEN, WERF VAN DE EEUW
Until 5 January 2005
Fotomuseum, Antwerp
Werf Van de Eeuw (building- site of the century) examines Antwerp's
organic nature, investigating the effect of constant construction and demolition
to gradually change the face and orientation of the urban environment. Extensive
development over the last 100 years and the city's history of avid photographers
combine to make Antwerp an ideal subject. www.fotomuseum.beTel. +32 (0)3 24 29 300
TATU-TATTOO!
Until 27 February 2005
Koninklijke Musea voor Kunst & Geschiedenis / Musées Royaux d'Art & d'Histoire,
Brussels
Once considered a strange ritual carried out by distant peoples, body art
is now common as a form of self-expression. This exhibition has divided the history
of tattoos into 12 sections, underlining the diversity of implications and social
significance. It makes use of sculptures, photos, engravings, ceramics, materials
and even samples of tattooed human skin. www.kmkg-mrah.be
Tel. +32 (0)2 741 72 65
PARCOURS: DIE RÜCKEN DER BILDER
Until 17 April 2005
Hamburger Kunsthalle, Hamburg
Parcours: Die Rücken der Bilder (behind the pictures) is a new series
of exhibitions that gives a glimpse into the history of a painting. Featuring
early drafts, notes, in-depth explanations and, of course, the finished works.
A rare and comprehensive insight into the creative process. www.hamburger-kunsthalle.deTel. +49 (0)40 428 131 200
BURIED CHILD
Until 15 December
National Theatre, London
Pulitzer Prize-winning Buried Child was written by Sam Shepard, and is brought
to the National Theatre's Lyttleton under the direction of Matthew Warchus.
Set in heartland America, this black comedy deftly combines domestic drama with
a nostalgic yearning for home. www.nationaltheatre.org.ukTel. +44 (0)207 452 3000
THE STUCKISTS PUNK VICTORIAN
Until 20 February 2005
The Walker and Lady Lever Art Gallery, Liverpool
The Stuckist movement was founded in 1999 by Charles Thomson and Billy Childish,
and immediately made clear its disdain for modern art's tendency to move
away from painting. Famously opposed to the concurrent Turner Prize, the Stuckists' show
is a worthy argument for painting as the fundamental medium of artistic expression,
and brings a refreshing willingness to be understood in today's world of
oblique messages. www.liverpoolmuseums.org.ukTel. +44 (0)151 478 4199
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